Review: Epstein: Filthy rich
Kate Bradley reviews a documentary series focusing on giving a voice to the survivors of Jeffrey Epstein.
Artistic platforms and political art
Allan Struthers explores the relationship of artwork and the platforms on which they are presented.
It’s up to us to change this Town called Malice: the politics of Paul...
John Wheeler looks back at The Jam, who became arguably the most popular and political band to emerge from the punk explosion of 1977.
"We'll all be voting Conservative at the next election."
Fanzine interview, 1977
"Imagine,...
Leftist direct action thrillers: a new genre?
I'm a Virgo, How to Blow Up a Pipeline, Black 47 and Codename Jenny
A View from the Bridge : A modern classic stripped to its tragic roots
Jack Farmer reviews a new production of Arthur Miller's play, currently running at the Young Vic
Director Ivo van Hove's production of A View from the Bridge strips away all distractions, distilling Arthur Miller's classic tragedy down...
William Blake: Apprentice and Master
William Blake was a revolutionary in poetry, engraving and politics. John Walker reviews a new exhibition of his artwork in Oxford.
William Blake was a revolutionary. One of the funniest things, for those in the...
Bad comedy and bardolatry: on the politics of Shakespeare in the age of mechanical...
It's 400 years since Shakespeare died, and Kate Bradley doesn't care.
This year, the BBC tells me, 'Shakespeare Lives'. Apparently, it's 400 years since Shakespeare died, and the BBC is using it as an excuse...
The Death of Stalin: first as tragedy, then as farce
Estelle Cooch reviews Armando Iannucci's latest film, The Death of Stalin
Capitalism, debt and feminism
Kate Bradley reviews A Feminist Reading of Debt, finding an insightful account of the relationship between debt, gender, and capitalism, as well as examples of how to fight back against debt.
Review: Skylight
Jack Farmer looks at the current revival of David Hare's political play.
It's perhaps unsurprising that David Hare's Skylight has been revived now, 18 years after its debut. At its heart, this is a play...